Starring Alain Bergala, Claire Childeric and Emilie Deleuze. The Competition begins, significantly, with the image of a locked gate—that of La Fémis, one of the most prestigious film schools in the world, offering hands-on training from working professionals and accepting only forty students per year from hundreds of applicants. The place is the Fondation Européenne pour les Métiers de l’Image et du Son, La Fémis for short, and it’s the most well-regarded film school in France, the birthplace of the medium.

Her most notable works of the period are La police (1988) and Scènes de ménage (1991), starring Miou-Miou. She then discovered the practice of 'direct cinema' with the Ateliers Varan and made several documentaries such as Les patients (1989), Coûte que coûte (1995) and Récréations (1998), which garnered multiple awards.

A documentary movie constructed as an almost uncomfortable but intensely fascinating account of how some of the best architects in the world, design giants like Jean Nouvel or Frank Gehry, toil, struggle and strategize to beat the competition.

This new film by Simon, one of France’s premiere nonfiction filmmakers, offers a unique look into the process whereby those lucky forty are selected. Synopsis. Students are judged by the strength of the projects — some bring along storyboards and elaborate charts — but also on their personalities, their passion for their ideas. Brookline Booksmith and City of Asylum Bookstore Hirshhorn Museum and Sculpture Garden Shown Friday through Sunday (May 10 to 12) at the Webster Film Series. Prospective film students wait to find out if they've been accepted to La Fémis.Located in Paris in a building that once housed the studios of Pathé Films, La Fémis (an acronym — more or less — of "Fondation Européenne pour les Métiers de l'Image et du Son") is one of the most prestigious film schools in the world, offering a four-year program not only in every aspect of production but also distribution, exhibition and programming. Some of the students are devoted cinephiliacs (their highbrow influences include Truffaut, Cocteau and Demy) while others have more difficulty articulating their plans. Involving examiners from the French film industry, this process is highly personal, idiosyncratic and subject to the vagaries of taste and personal prejudice.Filmmaker Claire Simon will present her documentary at In Los Angeles, Simon will participate in two Q&A's, the first on Monday, March 4 after a 7:30pm screening at the CULTURAL SERVICES OF THE FRENCH EMBASSY IN THE UNITED STATESCULTURAL SERVICES OF THE FRENCH EMBASSY IN THE UNITED STATES ONLINE EVENT (Simon refrains from showing most of these.) One of the most prestigious film schools in the world, every year La Fémis attracts hundreds upon hundreds of applicants hoping to fill only forty annual slots. "The extraordinary achievement of Claire Simon's latest film relies on its ability to capture power at work...[THE COMPETITION] is a potent film: it doesn't exalt the role of institutions but exposes their limits, absurdity, and humanity." The Competition is the first film documenting the tense developments that characterize architectural contests.

54 W Chicago Avenue Directed by Claire Simon. The instructors rigorously debate the merits of both, even defending those to whom they've reacted negatively. The Competition records the entry process at La Fémis as students apply for specific fields of study. Brookline Booksmith and City of Asylum Bookstore ONLINE EVENT French American Foundation, New York ONLINE EVENT As a filmmaker, Claire Simon first directed independent shorts.

THE COMPETITION begins, significantly, with the image of a locked gate—that of La Fémis, one of the most prestigious film schools in the world, offering hands-on training from working professionals and accepting only forty students per year from hundreds of applicants.

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