| Three Northern Keep Vodka cocktails for your long weekendKids outerwear essentials this fall from Columbia SportswearConstance Wu | Hustlers, Destiny, and new perspectivesTIFF 2019 Blog: Calm with Horses, Syncrhonic, Rising Stars & the OLG Dream DeckTIFF 2019 Blog: Blood Quantum, Sea Fever, Hustlers, The Vast of Night & Festival StreetReview: Once Were Brothers: Robbie Robertson and The BandTIFF 2019 Short Takes: Filmmaker Sandra Ignagni walks down Highway to Heaven: A Mosaic in One MileWant to know what’s next for Canadian cinema? Like a friend said to me recently, there's really nothing like having a press pass to one of the world's best film festivals.If you’re ever in the mood to seek out an independent film written or directed by some of the best filmmakers of this new generation, be sure to look for Canadian actress Deragh Campbell’s name in the credits.Canadian writer, actor, and producer Aaron Poole has finally found the time to think big, and it will be surprising to many that have followed his career that the short film Oracle is the first thing he's ever directed.Writer and director Nicole Delaney’s latest short film, Thirsty, is a classical sort of romance with a modern twist and told from a perspective you’ve never seen and will likely never see again.Stunning, rigorous, and heart rending, Heimat is a Space in Time, the latest from veteran German filmmaker Thomas Heise, examines the director’s family across four generations, and uses that shared past as context for various themes and images that can best describe his homeland’s fraught and violent history.For her latest short film, I Am in the World as Free and Slender as a Deer on a Plain (which makes its premiere at the 2019 Toronto International Film Festival as part of Short Cuts Programme 3), writer and director Sofia Banzhaf wanted to look at dating, love, desire, and the pitfalls of being a young woman in the modern era from a perspective she hadn’t seen on screen before, and with it, she has yet another visually stunning and emotionally moving credit to add to her increasingly fascinating and well rounded young resume.Although Israeli-born filmmaker Nadav Lapid hasn’t made a ton of movies across his sixteen year career, his latest, Synonyms, should've been placed into the Masters section at TIFF this year.American Woman, the first feature from writer-director Semi Chellas, has a lot of things going for it and one huge problem working against it.For her fifty-third film overall and the seventh entry in a series about the rights and struggles of indigenous children and young adults, veteran documentarian Alanis Obomsawin turns her critical eye to the Canadian health care system with Jordan River Anderson, The Messenger, a film that’s both incendiary and somewhat hopeful for the future.An autobiographical epitaph and one of the best cinema studies lessons viewers are ever likely to receive, Varda by Agnès finds one of the best filmmakers who ever lived leaving behind an in-depth reflection on their legacy.An eerie, gross, and frequently hilarious tale of madness and misery, Robert Eggers’ The Lighthouse - the follow-up to his break-out indie horror success The Witch - is too weird for words but highly entertaining for anyone willing to get on side with its nasty, misanthropic wavelength.Bridget Savage Cole and Danielle Krudy’s coastal and crusty noir Blow the Man Down isn’t just a strong feature debut for the filmmaking tandem, but also a wildly entertaining cult classic in the making.Easy Land, the first feature from Serbian-Canadian filmmaker Sanja Zivkovic, is a balanced, reserved, but emotionally resonant look at the modern immigrant experience, mental illness, and mother-daughter bonds.Parasite is a brilliant, biting, chilling, and darkly hilarious bit of social commentary from Korean master filmmaker Bong Joon-ho that’s as entertaining as it is unsettling.Veteran Italian filmmaker Marco Bellocchio’s epic gangster drama The Traitor takes a conventional mobster narrative, but tells it with a great deal of technical and procedural complexity.If esteemed French filmmaker Éric Rohmer were still alive today, and he decided to make a movie about modern dude-bros, the result might look something like The Climb, which is the most European feeling American comedy in quite some time.The Invisible Life of Eurídice Gusmão, which won Un Certain Regard at Cannes earlier this year, is a vibrant, socially relevant, and richly told story of sisterhood ripped apart by men who see women as nothing more than baby making objects.Black Conflux is the type of film that you’ll keep thinking about long after you’ve left the theatre.It's the best time of year in Toronto if you love film.

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